Grand Blog Tarkin

Pity the modern supervillain, Adam tells us. He’s a poor, decrepit figure, beholden to the deceptive whims of irrationality, distanced from the creative politics of his more practical predecessors. The grand image of global–or, better yet, multiversal–domination is a Mesopotamian artifact of superherodom.  The Joker’s low-tech banditry abounds in contemporary supervillainy, while Dalek “extermination” is little more than a charming, if impractical product of British public television. From a critical perspective, this shift is an unfortunate consequence of post-9/11 security cultures. If Judi Dench’s M is any indication–and s/he has been for a half-century–hero fandom should view the modern supervillain as a product of a more discreet Zeitgeist, of a less transparent, more opaque world of “shadows.” Hats off to Christopher Nolan, whose Joker is a mere interlude to Ra’s al-Ghul’s global League of Shadows, a happy marriage of Erik Prince (Bane, the mercenary) and young Emma Goldman…

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